News2024-11-13T10:19:12+00:00

Alfred Edward Bonner uncovered

I have finally researched successfully Alfred Edward Bonner, the silversmith and enameller with makers mark AEB. He was born in Norfolk in 1862 to a farming family.  In the 1891 census, at the age of 29, Bonner was living at home with no occupation given. By the 1901 census (and after his father’s death in 1898)   he is boarding in London and gives his occupation as an “artist painter”  By the 1911 census he is in Kensington and listed as an “Artist metalworker”.  In 1912, at the age of 50,  he married Mary Wright, a minor aristocrat.  Based on the absence of hallmarked Bonner pieces after c 1918 it is assumed he retired from metalwork at that time.  He died in Scotland in 1943, having lived for much of his later years  in Limpley Stoke, Wiltshire.  He was childless.

Bonner was one of those small group of arts and crafts silversmiths who flourished prior to 1914. He was described by the Studio in 1904 as a “designer of and worker in silver and jewellery” based in Kensington.  He was clearly also a skilled enameller  and wrote an article on enamelling for “Arts & Crafts” Journal vol 2, 1905, from which I have reproduced what I believe is a previously unknown photo of Bonner see link

November 6, 2019|

New collection of jewellery added

Just in time for Christmas I have added a fantastic collection of Gaskin and other arts and crafts jewellery to the site. Acquired privately, the collection was put together over the past twenty years.

October 27, 2019|

“Small is beautiful”

A number of new, smaller, pieces have been added to the website by such designers or silversmiths as Charles Ashbee, Latino Movio, Bernard Cuzner, Omar Ramsden and A E Bonner.

October 9, 2019|

Maxwell Armfield watercolour

Delighted to have helped recreate this still life by Maxwell Armfield featuring a Powell sea green roman decanter. The original watercolour available at Sarah Colegrave Fine Art. 

August 30, 2019|

New hallmark of women silversmith sisters uncovered

A lucky, if educated guess, and the help of the Birmingham Assay Office, has led to the rediscovery of Effie and Eleanor Ward, working together as jewellers/silversmiths.  Their mystery E&EW mark was registered at the Birmingham Assay Office on 7th March 1902, exactly the same day as Bernard Cuzner and Alfred H Jones registered their mark – I assume they all went to the assay office as a group of friends. Effie is best known for her enamels and as assistant to Arthur and Georgie Gaskin.  The mark is on a lovely, classic set of arts and crafts spoons. See more details at this link.

May 8, 2019|

When is a tea caddy a biscuit box?

When is a tea caddy a biscuit box?  When it says so on the original water colour design drawing!  Originally catalogued by me as a tea caddy this Artificers Guild silver and copper “caddy”, is infact a biscuit box.  The original watercolour for this box can be found in the Artificers Guild Archive held at Goldsmiths Hall, Box G, item 2474.   It is initialled ES for Edward Spencer and in what is probably his handwriting says “of a size to hold a pound of biscuits”.  It is also inscribed “copper bronzed” in keeping with the patina still found on this piece.  The watercolour is shown in the images at this link.

Artficers Guild silver

Artficers Guild silver and copper tea caddy

April 3, 2019|

Antiques Trade Gazette features The Peartree Collection

Guild of Handicraft mirror, Charles ashbee mirror

Guild of Handicraft Ashbee hand mirror

This week’s issue of the Antiques Trade Gazette previews BADA, including The Peartree Collection’s very special Ashbee hand mirror for the Guild of Handicraft.

Those on the look-out for museum-level purchases might also seek Anthony Bernbaum of The Peartree Collection, who offers a Guild of Handicraft silver and enamel hand mirror by Charles Ashbee.

It features striking peacock enamel to the back and is hallmarked for 1903. Until now, the only other known example was in Cheltenham’s Wilson Museum.

The mirror is one of a number of pieces Bernbaum will exhibit by Ashbee and Archibald Knox, whom he describes as “two of the most collectable designers from the Arts & Crafts period around 1900”.”

March 6, 2019|

Ashbee dish from The Peartree Collection appears on BBC2’s “Victorian House of Arts and Crafts”

Charles Ashbee Guild of Handicraft silver bowl

Charles Ashbee Guild of Handicraft silver bowl

I am delighted to have arranged for a lovely Ashbee bowl, sold last year to a client, to have been used for filming on the BBC’s new series “The Victorian House of Arts and Crafts”. This four part series can be seen on BBC2 on Fridays. The first episoode is available on BBC iplayer. Not to be missed!!

January 12, 2019|

A calculator to see if your silver with ivory meets the 10 per cent de minimis test

In a matter of months the UK government is likely to introduce legislation that will restrict the sale, import or export of any (silver) item which has, by volume, more than 10% ivory (excludes musical instruments).  The detailed legislation is still to be worked out but I have built a simple spreadsheet you can plug in your silver item’s weight and measurements of ivory components to calculate whether the piece meets the likely de minimis rule.  If you would like a version please contact me.

October 21, 2018|

New research into early Guild of Handicraft work

In the early 1890’s the Guild of Handicraft exhibited some of their earliest metalwork at a little known exhibition at Armourers’ Hall, home of the Armourers and Brasiers Company in the City of London.  I have, finally, found an article on the 1891 exhibition which included a sketch of a door or finger plate the Guild exhibited.  This won a competition the Exhibition was hosting to design a finger plate for the Hall and the design was subsequently made up and fitted, where it can still be seen today. The article is in the attached pdf  The-Armourers-and-Brasiers-Exhibition-1891. The designer and maker of the finger plate is given in the article as John Williams, with a total of six plates ordered for the Hall in total.  Separately, Alan Crawford notes that Hardiman and White both designed prize winning exhibits for Exhibitions at this venue in 1890 and 1892 respectively.

 

Guild Handicraft finger plate, Armourers Hall

Guild Handicraft finger plate at Armourers Hall

August 25, 2018|

The Peartree Collection letter published in the ATG, 23rd July

ATG letter: Why I waved bye-bye to Online Galleries

MADAM – I wanted to add to the discussion (ATG No 2344) on the recent fee increase by Online Galleries (Anthony Bernbaum of The Peartree Collection writes).

I chose not to continue with Online Galleries (or its parent, 1stdibs) as a result of a subscription increase that, in my case, was from £175 per month to £400 per month and in the middle of what I considered an annual subscription agreement (a case of ‘always read the small print’, it seems).

Coming off Online Galleries will, without doubt, cost me valuable referrals, and according to Google analytics, has already reduced traffic to my own website. When I Google relevant search terms like ‘Archibald Knox silver’ I have the galling experience of seeing my images as previously listed on Online Galleries linking to their home page.

My analysis of the direct value of Online Galleries to me is that it is indeed worth over £400 per month, generating well over £10,000 of sales per year.

Squeezed on costs

So why come off it? Well, I believe that the internet will become an increasingly dominant channel for antiques and design galleries and so control of that channel is critical.

With this in mind, I cannot envisage partnering with an internet site for the long term when there is such a breakdown in trust. When my sales are, say, 50%, not 5-10%, through Online Galleries, what then?

Will I be asked to pay £4000 per month, or, as for 1stdibs, well over 10% of sales?

Physical galleries are being squeezed by increasing rents and now we have intermediary listings providers trying to recreate an online equivalent.

More than this though, it is important to ask what is the valueadd of an intermediary like Online Galleries? Just 10 years ago the answer was ‘quite a lot’.

Building workable websites was expensive, listings sites even more so, and that warranted high fees. With the emergence of HTML templates however, it is inexpensive and easy to create very effective websites.

Longer-term gain

So, what are we, as dealers, paying for? The reality is we are paying an intermediary to promote itself at our expense. My images on Google from Online Galleries are there for a reason, indirectly I have paid for it. So why would I pay to become more and more dependent on an intermediary whose value-add is to a large degree a function of my expertise, my products and, in fact, my money?

So, it’s bye-bye Online Galleries and hello to BADA and LAPADA, who have created listing sites empathetic to both the consumer and industry, and also to Instagram.

With increased investment in my own site I am confident that what I may lose in the short term will be more than gained in the longer term.

Anthony Bernbaum
The Peartree Collection, London

July 24, 2018|

The Peartree Collection joins LAPADA

I am delighted to announce that the gallery has become a member of LAPADA.  A selection of items for sale can now be found at both BADA’s and LAPADA’s listing websites. The Peartree Collection no longer lists items with 1st dibs or its subsidiary, Online Galleries.

June 12, 2018|

Major new pieces to be showcased at BADA Fair – Catalogue available

Major new pieces to be showcased at BADA Fair
Catalogue available

We will be exhibiting a number of major new pieces by Archibald Knox for Liberty & Co at the BADA Fair. Highlights are in the attached catalogue and will include a rare Cymric clock, a large enamel and stone set tankard, two great Knox inkwells and enamelled vase.  Overall fifteen new Knox Cymric silver pieces from a private collection will be for sale, together with other items from the Wiener Werkstatte, Charles Ashbee, Christopher Dresser, Gilbert Marks, Kate Harris and Ramsden & Carr.

The BADA Fair, London, opens on 14th March. Please contact me if you require a ticket.

View the Peartree Collection Catalogue

February 4, 2018|

The Peartree Collection will exhibit at BADA Fair, 14 – 20th March

The Peartree Collection will be exhibiting at the BADA Fair, Stand C28,  from 14-20th March, Chelsea, London.  Please contact me for a further details and a ticket. I will be exhibiting a number of new pieces from private collections, most notably an exceptional collection of Cymric silver by Archibald Knox for Liberty & Co.

January 20, 2018|
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